The Last Corner Sun was a one time performance on March 11, 2026.
The “set,” which included a 50ft painting, 6ft tall ceramic sculpture, life sized beastly puppets, and prop furniture, ran as an art show from March 11th to April 10, 2026.
The audience members (or gallery-goers) were uninformed of the five part sequential performance: an early music ensemble, puppet show, murder mystery, and ballet, that finished with a dance party in the audience.
The show was hosted in the Helen Lindhurst Fine Arts Gallery at the USC Roski School of Art and Design in Los Angeles, and funded by the Ruth Weisberg Prize for Drawing (this counts as drawing right?!)
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information that was available via printed playbills during the show. the script was also printed and avialabe (see below)
“All around the world we’ve been drawing suns in the top corner of our pages. Oh how tender it is when our corners align! First one big, full, sun. Then many suns. And underneath it all, we’re holding hands.
We begin with a 650-square-foot unstretched canvas that lived outside as much as it did inside. It was often dragged around with the help of good friends and kind strangers. Time collapses on this scale. Fast remembers slow. Big returns to small. Cartoonish snuggles up to drippy. And classical is learning to live with messy.
Nearby, theatrical objects and playful movements are narratively entangled with the painting, and turn the rest of the gallery into a theatre, a house party, and in my wildest dreams, a forest.
Using the “fourth wall” as a medium, this show wrestles with how chaos and intimacy interact on personal and absurdly existential levels.”
questions i was thinking about
Is it wrong for people to make society changing choices without getting consent from the rest of society?
Can societies consent?
Do we all deserve a say in how things change?
Is it possible for everyone to have a happy ending?
If we have the capacity to question it, do we have the capacity to make the right choice?
How can I take up space with humility?
What happens when we bring fantasy and reality closer to one another?
Imagination is a privilege, how can it be shared, passed on, tended to, cared for, and put to good use?
If we can hope for it can we imagine it? If we can imagine it can we pretend it? If we can pretend it can we rehearse it? If we can rehearse it, can we be comfortable with it? If we can be comfortable with it, can we do it? If we do it, can we do it again? If we can do it again, can we get used to it? If we keep doing it, can we share it? Can we pass it on?
Important words people have said to me this year that always run through my mind
Fiza Khatri:
“Every idea you have, find a way to make it happen”
“Redirect your doubt into curiosity”
“Most of the making we do is not coming from a rational place. And we just need to let it run its course”
Raya Simpao, passed on from her RISD painting professor:
“Just go out into the world and look around. Whatevers looking back at you that’s your subject matter”
Byron Kim:
“Its okay to not know whats going on. I just wait until I can catch up”
Robert Hernandez, who constantly reminds us of the Mayan greeting, Lak'ech Ala K'in, which translates to:
“I am you, you are me, we belong to one another”
Central texts
"Wakanda Doesn't Have Suburbs: How Movies Like Black Panther Could Help Us Save the Planet", by Kendra Pierre-Louis
Imagination as Privilege, by Shaun Leonardo
Conversations Before the End of Time, by Suzi Gablik
What Is Post-Branding?: How to Counter Fundamentalist Marketplace Semiotics by Jason Grant and Oliver Vodeb
CREDITS
CAST
Speaker 1……………………………………………………………………………………………………………………………………………………Carol Sorensen
Speaker 2………………………………………………………………………………………………………………………………………………………Kirby Duncan
Security Guard……………………………………………………………………………………………………………………………………………………Syan Shih
Selena Gomez as Alex Russo as Mason Deaver as Waiter at The Last Corner Sun Art Show………..Mason Deaver
Harper as Hope, The Unicorn……………………………………………………………………………………………………………Alessandra Sullivan
Gallery Goers…………………………………………………………………………………………………………………………………………General Audience
Pink and Orange Dancer……………………………………………………………………………………………………………………………Peiqi Emily Liu
Orange and Pink Dancer……………………………………………………………………………………………………………………………………Chris Chun
EARLY MUSIC ENSEMBLE
Recorder Fernanda …………………………………………………………………………………………………………………………………Olmedo Espinoza
Recorder ………………………………………………………………………………………………………………………………………………………….Marjana Jocif
Voice ……………………………………………………………………………………………………………………………………………………………….Luis Lechuga
Voice ……………………………………………………………………………………………………………………………………………………………….Nicole Young
Voice ………………………………………………………………………………………………………………………………………………………Cameron Schubert
Lute, Baroque Guitar …………………………………………………………………………………………………………………………………..Janina Kališnik
Professional live performance photography and artwork documentation by Sammi Wong
I want to thank all of these people for taking time out of their busy lives to help me make my dream come true in this show. I received so much support in finding spaces to work, moving the work around, organizing the whole show, general conceptual and emotional care, and countless other ways that people came together help make this happen. There is no way I could have made any of this exist without every single person here. In no particular order, I am incredibly grateful for:
Sammi
Espie
Nik and Ita
Kirby
Mason
David
My whole ceramics 2 class
Gia
Anam
Sana
Ali reza
Keith mayerson
Aidan
Hillary
Mckay
Gitty
Mason
Cam
All of my professors
Vriddhi
Terrie
Dani
Duncan
Casey
Matt
Kenny
Valencia
Syan
Luke
And an especially big thank you to my college roomates, Janina, Alessandra, and Angela who allowed this project to take up so much space in our home in the past few months. Without that, no part of this could have been finished.